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8 January 1836 – 25 June 1912. Most renowned painters.

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Master of the Legend of St. Lucy
Lamentation

ID: 85899

Master of the Legend of St. Lucy Lamentation
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Master of the Legend of St. Lucy Lamentation


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Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.   Related Paintings of Master of the Legend of St. Lucy :. | Lamentation | Mary, Queen of Heaven | De liefdadigheid van de H. Nicolaas als jongeman. | Virgin and Child with an Angel | St Veronica with the Sudarium |
Related Artists:
MASTER Bertram
German painter (b. cca. 1345, Minden, d. 1415, Hamburg). was a German International Gothic painter primarily of religious art. His most famous surviving work is the large Grabow Altarpiece (or Petri-Altar) in the Kunsthalle Hamburg, the largest and most important North German painting of the period. There is a 45-scene altarpiece of the Apocalypse, probably by his workshop, in the Victoria and Albert Museum in London. He, or his workshop, also produced sculpture, presumably in wood; in fact in his first years in Hamburg most surviving documentation relates to sculpture, including chandeliers. He is first recorded in Hamburg in 1367, and lived there for the rest of his life, becoming a citizen and Master in 1376, and achieving considerable prosperity. In 1390 he made a will in advance of an intended pilgrimage to Rome, but if he made the journey it had no detectable influence on his art. He was married, but his wife had died by his second will in 1410, when he had a surviving daughter. His style is less emotional than that of his Hamburg near-contemporary Master Francke, but has great charm. Bertram was largely forgotten after the Renaissance until the end of the 19th century
August Christian Hauck
(1742 -1801 ) - Painter
J.Thornthwaite
British.fl.late eighteenth century






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